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莫里康音乐目录
mus-026 ---> mus-030
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mus-026
D'amore
si muore
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72-26-official
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相关电影页
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>>>>
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备注
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序号
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曲名
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WMA
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001
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SI MUORE D'AMORE
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002
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UN PO' D'IRONIA ACIDA
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003
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AMO LEI
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004
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LEI MI AMA
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005
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VALZER DA STRADA
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006
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SI MUORE D'AMORE
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mus-027
Il
maestro e marherita / 大师与玛格丽塔
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72-18-official
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相关电影页
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>>>>
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备注
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001
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TITOLI E FINALE
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002
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VARIANTE
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003
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VARIANTE
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004
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L'INCONTRO
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mus-028
Le
due stagioni della vita
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72-36-official
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相关电影页
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>>>>
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备注
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001
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LE DUE STAGIONI DELLA VITA
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002
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PASSAGGIO
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003
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LA CITTO
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mus-029
Il
sorriso del grande tentatore
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73-16-official
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相关电影页
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>>>>
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备注
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001
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VENI SANCTE SPIRITUS
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002
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VICTIMA PASCHALI LAUDES
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003
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CON SERENA GIOIA (FINALE
PROFANO)
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004
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LAUDA SION
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005
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STABAT MATER
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006
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DIES IRAE
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mus-030
Il
serpent / 蛇
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72-12-official
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相关电影页
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备注
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-official 表示为官方目录.
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001
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CHANSON LOINTAINE
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002
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NIGHT FLIGHT FROM MOSCOW
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| Ennio
Morricone Mini biography:
A classmate of director Sergio Leone with whom he would form one of
the great director /composer partnerships (right up there with Eisenstein
& Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio
Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that film,
with its sparse arrangements, unorthodox instrumentation (bells, electric
guitars, harmonicas, the distinctive twang of the jew's harp) and
memorable tunes, revolutionised the way music would be used in Westerns,
and it is hard to think of a post-Morricone Western score that doesn't
in some way reflect his influence. Although his name will always be
synonymous with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written nearly
400 film scores, so a brief summary is impossible, but his most memorable
work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri,
La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The
Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso
(1988), plus a rare example of sung opening credits for Pier Paolo
Pasolini's Uccellacci e uccellini (1966). It must be stressed that
he is *not* behind the work of the entirely separate composers Bruno
Nicolai and Nicola Piovani despite allegations made by more than one
supposedly reputable film guide! |
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