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电影下载大厅-- 高码率莫里康配乐电影下载专页
Movie download hall
A special download page of the movies composed by Ennio Morricone with higher bitrate
自2007年10月起,本站已租用新的更好空间,容量及带宽均得到改善.为回报广大网友对本站的长期支持,本站决定逐步开放本站现有全部电影及视频资源,提供高码率(主要为350Kbps 以上的WMV格式)文件的在线播放和免费下载,欢迎大家使用.由于电影文件的编辑,上传均需要很多时间,在此期间,如您急需一些电影,仍可通过互动留言(见这里)提出您的要求.本站将尽量按大家需要提前编辑上传.为了及时得到本站的更新信息,您还可以进入这里订阅本站的RSS快报.
The space of the web site has been updated in October 2007, its space and bandwidth all have been improved. So we have decided to provide all video's ( Movies) resources with higher bit rate (mainly 350Kbps WMV format)of the web site for worldwide warm friends step by step. Because it needs many time to edit and upload the files, if you have any urgent request for a few movies, you can enter here to submit your request, we will edit it in advance as possible.You also can subscribe our RSS alert so that get our information in time.
 
 
本站带宽虽已加大,但当下载量过大时,仍可能网速变慢,如遇此情况,建议您换一个时间再试,以免大家拥挤浪费时间
If the download speed is too slow, maybe downloaded persons are too many at present, please try it again late
 
序号 No.
电影名称
Movie's name
进入 Enter
备注 Note
001
荒野大标客(1964)
A fistful of dollars
002
蛇(1973) 
 Le Serpent
003
西部往事 (1968)
Once upon a time in the west
005
教会 (1986)
The Mission
007
码莲娜 (2000)
Malena
008
新天堂影院(1989)
Cinema Paradiso
 
010
革命往事 (1971)
Once upon a time in revolution
011
一代情枭-毕斯 (1991)
bugsy
012
新天堂星探 (1995)
The star maker
014
火线大行动 (1993)
In the line of fire
015
阿尔及尔之战 (1966)
The Battle of Algiers
016
魔鬼雷普利(天才雷普利续集)(2002)
Ripley's game
020
好,坏,丑(1966,英语加长版)(1966)
The good, the bad and the ugly
021
铁面无私 (1987)
The untachables
023
越战创伤 (1989)
Casualties of War
025
72米(潜艇沉没)(俄罗斯电影,2004)
72 meter
027
海上钢琴师 (1998)
the legend of 1900
029
摩西传(1975)
Moses
030
慾望巴黎 (1999)
Vatel
035
神秘的终点 (2002)
The end of a mystery
036
一树梨花压海棠(洛丽塔)(1997)
Lolita
037
黑天使(2002)
Senso'45/Black angel
限制级 Limited
045
索多玛的120天/萨罗 (1975)
Salo/Le 120 Giornate di Sodoma
限制级 Limited
054
烈女镖客/独行侠千里送贞娘 (1970)
Two mules from siste Sara
055
决斗者 (1970)
Companeros
056
凯马达之战/烽火怪客(1969)
Queimada/Burn!
057
射向将军的子弹(1966)
A Bullet for the General
       
om-emov-004
隐秘/未知/隐秘女人心(2006)
La Sconosciuta/The Unknown Woman
om-emov-006
你不要走/乱伦之爱/绅士与俏妞
Cosi come sei / stay the way as you are
限制级 Limited
om-emov-007
欲望之翼/秘密/键
La Chiave / The Key
限制级 Limited
 
 
以下是其它类优秀电影(非莫里康配乐)     Below is other kind movie (Non Morricone's music)
om-omov-004
豺狼的日子
The day of the Jackal
om-omov-008
第七个目标(1984)
The seventh target
 
以下是TV类优秀视频(非莫里康配乐)     Below is TV kind movie (Non Morricone's music)
om-tv-001
成龙传奇
I am Jackie Chan
 
 
 
Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide!
 
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