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mov-025 俄罗斯电影“72米”(潜艇沉没,2004)

72 METRES
导演:弗拉基米尔·霍金年科(Vladimir·Khotinenko)
主演: 谢尔盖·马克维茨基(Sergei·Makovetsky) 马拉特·巴萨罗乌(Marat·Basharov) 安德瑞·卡莱斯基(Andrei·Krasko)
03-11-official
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俄罗斯电影“72米”(潜艇沉没)
72 METRES
72 METRES
72 METRES
72 METRES
72 METRES
72 METRES
72 METRES
 
俄罗斯电影“72米”(潜艇沉没)简介-1
潜艇沉没(2004)

英文名: 72 metra

中文名: 潜艇沉没

别 名: 潜艇沉没72米

导 演: ( Vladimir Khotinenko )

主 演: ( Sergei Makovetsky) ( Marat Basharov) ( Andrei Krasko) ( Dmitri Ulyanov) ( Chulpan Khamatova) ( Stanislav Nikolski) 潜艇沉没全部演员表

上 映: 2004年02月07日 俄罗斯 潜艇沉没更多上映地区

地 区: 俄罗斯 潜艇沉没更多详细拍摄地

对 白: 乌克兰语

评 分: 本站评分..投票少于1人

IMDb评分6.4/10 ( 340票 )  详细

颜 色:

声 音: 杜比数码环绕声(Dolby Digital)

时 长: 115 min / 100

类 型: 剧情 动作 惊怵

分 级:

潜艇沉没资料梗概

潜艇沉没外文别名:
72 Метра (Russia)
72 Meters (International: English title) ·潜艇沉没剧情介绍

影片根据俄前海军将领Alexander Pokrovsky回忆录改编,部分情节取材自2000年俄罗斯核潜艇“库尔斯克”号沉船事件。描写搁浅在海底72米深处的潜艇船员进行自我拯救的故事。(见此页)

 
“72米”(潜艇沉没)简介-2

 俄罗斯最新灾难片,根据俄前海军将领Alexander Pokrovsky回忆录改编,部分情节取材自2000年俄罗斯核潜艇“库尔斯克”号沉船事件。描写搁浅在海底72米深处的潜艇船员进行自我拯救的故事。该片配乐由电影音乐教父颜尼欧.莫里康内(Ennio Morricone )担任。     

 
俄语配音 中文字幕 117分钟,550kbps rmvb 格式, 463M.
您可以点击这里收看一个片断 (4分29秒,CC视频联盟存放)
 
 
此片的原声音乐见 mus-f1008-2 >>>>
 
 
关于歌曲"向斯拉夫女人告别"(又名"斯拉夫姑娘的告别")
 
在上面的电影片断中,出现了一段"斯拉夫姑娘的告别"歌曲,这是一首沙俄时代古老的士兵进行曲.在苏联卫国战争期间被重新填词.它激励着千千万万的苏军战士,告别亲人奔赴前线.在北起巴仑支海,南至里海宽达2000多公里的漫长的战线上,苏联红军为了祖国进行着拼死的抵抗.本站特查找到这首歌曲以供大家欣赏:
 
 
"向斯拉夫女人告别"歌词
 
月台上不断奏起进行曲
乐曲阵阵响澈四方
战壕中硝烟弥漫
战士们整装上前线
进行曲伴我们攻克冬宫
又随我们进军柏林
俄罗斯已经站起来了
大路上进行曲传向前方
只要祖国发出召唤
我们即刻投入神圣的战争
去保卫自己可爱的家乡
只要祖国发出召唤
我们即刻投入神圣的战争
去保卫自己可爱的家乡
田地里麦浪滚滚
祖国在阔步前进
用和平的劳动换来幸福的生活
用和平的劳动换来幸福的生活
只要祖国发出召唤
我们即刻投入神圣的战争
去保卫自己可爱的家乡
 
 
俄罗斯记者就72米电影音乐采访莫里康
(以下原文转载自一个俄罗斯网站 http://www.1tv.ru/72/ 请原谅本站未作翻译
 

Ennio Morricone gave an interview to a Russian newspaper Komsomolskaya Pravda about his work in 72 Metra as well as about the rest of his career. The interview is in Russian, but we have translated it into English for you!


Ennio Morricone: 72 Meters - this is the Russian answer to American K-19.
Popular Italian movie composer wrote music for the new Vladimir Khotinenko film. He gave an interview to Komsomolskaya Pravda at the film festival in Locarno.
Not everyone will immediately recall the names and the subjects of many of the 480 films, music to which was written by Ennio Morricone, but the melodies are instantly recognizable. Millions of copies have been released. They can be heard from the television screens and from the store fronts in Italy, in America, and in Russia. Here, perhaps, people most of all remember television series The Octopus and Once Upon A Time In America...
He was invited to the festival in Locarno, Switzerland, to give a lecture with an all-encompassing title Aspects and Problems of the Creation of a Composer in Our Times. Having said what was expected of him, Morricone moved to a grand piano to play a musical theme from the film Battle for Algeria, which is by far more famous than the film itself. Unfortunately, I cannot sing it for you from a newspaper page. Instead, I can reproduce our conversation with the maestro.


I am not called omnivorous for nothing.
- Mr. Ennio, why you did undertake to write music for the sub par films?
- Well, I didn't request scripts from directors. Some of them I I agreed to do simply out of the love for the cinema... Yes, they call me omnivorous, but I don't care. For example, it is terribly boring to write music only for westerns.
- You like chess. But what is the use of it for a composer?
- In chess you fight as in boxing, but with your brains, not with your fists. Each piece has its role, its time of action. Same in the orchestra - a tube will begin to play at a specific moment, trombone will enter at the end. I conduct chess pieces as I do musicians in the orchestra... Great Russian chess players demonstrated significant talent for music and could master foreign language in several weeks. Everything is interrelated...


I don't want to burden the listener with complex music.
- Your music is arranged by different bands. Heavy metal band Metallica used to open their concerts with your theme from the film The Good, the Bad and the Ugly...
- I like it. By the way, Quentin Tarantino in the new film Kill Bill uses my music as well as the composition of Ulrich's Larsa by the same Metallica. My compositions are generally easy to strum on the guitar even for a nonprofessional player, since at the basis of the compositions is a simple harmonics. I do not want to burden my listener, whose life, most likely, is complex even without me . I try to write simple music.
- Is that why your film music became so popular?
- I carefully watched the films, which used the music by Bach, Mozart, Mahler, and posed myself a question: "They did not write specially for the cinema, so why, for example, Mahler sounds so magnificently in Visconti's Death in Venice?" Cinema music is remembered, if this is actual music. Real music. Even if it seems simple.


Russians Italians have similar temperaments
- You composed musical score to the new picture by Russian director Vladimir Khotinenko 72 Metra...
- Yes, I was touched by its story of male friendship, faithfulness to their oath and to their duty. The film is about the crew of a Russian submarine, which came to belong to the Ukraine after the collapse of the USSR. Seamen refused to take the oath to another state, and they leave it. But the Russian submarine, which they are given, perishes because of the negligence of the technical personnel. (The film features Sergey Makovetskiy, Sergey Garmash, Marat Basharov, Chulpan Khamatova. - S. T.)... On the whole, as far as I see it, this is a Russian answer to the American film K-19. And just as the American film, this one is also based at the real events.
- Did you write the music in the Russian style?
- No, I did not have to imitate it. Indeed, it had been noted long ago that Russians and Italians have similar temperaments.

 
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