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engplayer-006
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Play
Morricone 2 (Pieranunzi Johnson Baron) (2004)192Kbps
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The music
in this page provided by Russian friend ALEX (See
here)
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Only
provide listen in online the music with 20 Kbps. You could
enter
here to submit your request for higher bitrate
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Summary:
"Play Morricone" was a 2003 highlight
- an intimate, inventive, improvisatory trio take on one of
cinema's great composers ¡°Play Morricone 2¡± is just as good
& is a true sequel ¨C new recordings, not ¡°leftovers¡±.
The trio is an Italian-American alliance led by Enrico Pieranunzi.
As a studio musician in the 1970s & '80s, he played on
dozens of Ennio Morricone's soundtracks. Now recognized as
one of jazz's great pianist-arrangers, Pieranunzi has for
two decades enjoyed a very rewarding occasional alliance with
acoustic bassist Marc Johnson & drummer Joey Baron. Here,
two suitably ¡°cinematic¡± Pieranunzi originals, join eight
elaborations on Morricone¡¯s music (more>>>>)
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Pianist, composer.
He was born in Rome on December 5, 1949.
When he was only five and a half years old he began studying
piano. At the same time his father, a guitarist, started introducing
him to the wonders and challenges of jazz improvisation as well.
From then on Enrico kept on following a double road in music.
In fact he developed his jazz style while studying classical
piano.
When he was nineteen he began his professional career in Italy
and since then he has worked with an abundance of bands, both
Italian units and groups led by Americans..... |
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001
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il clan dei siciliani
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6.7M
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002
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alba oscura e d'amore
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8.6M
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003
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penso a te
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8.3M
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004
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questi vent'anni miei
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6.8M
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005
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the next night
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7.4M
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006
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sunday waltz
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10.3M
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007
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il vizietto
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6.9M
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008
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promesse d'amore
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10.7M
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009
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my meadows
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8.2M
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010
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waltz for a future movie
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10.1M
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011
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penso a te
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7.4M
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer partnerships
(right up there with Eisenstein & Prokofiev, Hitchcock &
Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's
Santa Cecilia Conservatory, where he specialised in trumpet.
His first film scores were relatively undistinguished, but he
was hired by Leone for Per un pugno di dollari (1964) on the
strength of some of his song arrangements. His score for that
film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the way
music would be used in Westerns, and it is hard to think of
a post-Morricone Western score that doesn't in some way reflect
his influence. Although his name will always be synonymous with
the spaghetti Western, Morricone has also contributed to a huge
range of other film genres: comedies, dramas, thrillers, horror
films, romances, art movies, exploitation movies -making him
one of the film world's most versatile artists. He has written
nearly 400 film scores, so a brief summary is impossible, but
his most memorable work includes the Leone films, Gillo Pontecorvos
_Battaglia di Algeri, La (1965)_ , Roland Joff¨¦'s The Mission
(1986), Brian De Palma's The Untouchables (1987) and Giuseppe
Tornatore's Nuovo cinema Paradiso (1988), plus a rare example
of sung opening credits for Pier Paolo Pasolini's Uccellacci
e uccellini (1966). It must be stressed that he is *not* behind
the work of the entirely separate composers Bruno Nicolai and
Nicola Piovani despite allegations made by more than one supposedly
reputable film guide!
(see
here) |
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