| English-->engmus-000-->engmius-061-065 |
|
We
suggest
you
subscribe a RSS E-mail serve so that timely
get our update and new free download information
A
catalog of Morricone's music mus-061 -->
mus-065
Only
provide listen in online the music with 20 Kbps. You could
enter
here to submit your request for higher bitrate
|
|
|
|
|
|
|
| |
|
|
|
|
| |
|
|
mus-061
"cinema
paradiso"-1989
|
|
88-08-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
No.
|
Name
|
WMA
|
|
001
|
Cinema Paradiso
|
|
|
002
|
Maturity
|
|
|
003
|
While Thinking About Her
Again
|
|
|
004
|
Childhood And Manhood
|
|
|
005
|
Cinema on Fire
|
|
|
006
|
Love Theme (composed by
Andrea Morricone)
|
|
|
007
|
After the Destruction
|
|
|
008
|
Four Interludes
|
|
|
009
|
Runaway, Search and Return
|
|
|
010
|
Projection for Two
|
|
|
011
|
From American Sex Appeal
To The First Fellini
|
|
|
012
|
Toto And Alfredo
|
|
|
013
|
For Elena
|
|
|
|
mus-062
"guns
for san sebastian"-1968
|
|
68-04-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
overture
|
|
|
002
|
the chase
|
|
|
003
|
the long trek
|
|
|
004
|
love theme (leon leaves
kinita)
|
|
|
005
|
music at the governor's
dinner
|
|
|
006
|
the white stallion
|
|
|
007
|
love theme (leon tells
his love)
|
|
|
008
|
building the dam
|
|
|
009
|
the attack
|
|
|
010
|
the burning village
|
|
|
011
|
the villagers prepare to
blow up the dam
|
|
|
012
|
teclo's death
|
|
|
013
|
end title
|
|
|
|
mus-063
"la
cage aux folles 3 "-1984
|
|
85-04-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
now it's up to me
|
|
|
002
|
castelli di scozia (ilona's
love)
|
|
|
003
|
tu sei qui per me
|
|
|
004
|
il piacere di piacere
|
|
|
005
|
stasera ti amo
|
|
|
006
|
d'amore si vive
|
|
|
007
|
ask me
|
|
|
008
|
il volo dell'ape regina
|
|
|
009
|
tu sei qui per me
|
|
|
010
|
stasera ti amo
|
|
|
011
|
notturno marino (unhappiness)
|
|
|
012
|
due ragazzi normali
|
|
|
013
|
ask me
|
|
|
|
mus-064
"la
monaca di monza "-1969
|
|
69-16-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
La Monaca di Monza
|
|
|
002
|
La Quinta E In Coma
|
|
|
003
|
notte non notte
|
|
|
004
|
postludio alla terz
|
|
|
005
|
povera sesta
|
|
|
006
|
Preludio Alla Prima
|
|
|
007
|
quel giorno
|
|
|
008
|
requiem per la sett
|
|
|
009
|
svegliarsi pensando
|
|
|
010
|
titoli di coda
|
|
|
011
|
una macabra scopert
|
|
|
|
mus-065
"le
foto proibite di una signora per bene "-1971
|
|
70-07-official
|
|
Relative movie
|
|
|
Note
|
|
|
|
|
001
|
Foto Proibite Di Una Signora
Per Bene
|
|
|
002
|
Qui Ci Scappa Il Morto
|
|
|
003
|
Amore Come Dolore
|
|
|
004
|
Bella, Cara, Dolce, Buona
Mogliettina Per Bene
|
|
|
005
|
Allegretto Per Signora
|
|
|
006
|
Nel Vuoto
|
|
|
007
|
Intermezzo Pop
|
|
|
008
|
Caduta Nell'inconscio
|
|
|
009
|
Secondo Intermezzo Pop
|
|
|
010
|
Percussivamente
|
|
|
011
|
Quelle Foto
|
|
|
|
|
|
Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
|
| |
|
|
