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A
catalog of Morricone's music mus-011 -->
mus-015
Only
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mus-011"Scusi,
Facciamo L'amore"--1968
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67-06-official
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Relative movie
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Note
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NO.
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NAME
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WMA
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001
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REPRISE,EXCUSE ME, LET'S
MAKE LOVE
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002
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A LIDIA
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003
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BETWEEN THE SHEETS
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004
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THE BIG ONE
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005
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TAKE ME NOW
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006
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FROM BAD TO WORSE
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007
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TO LIDIA
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008
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TO THE AFTER AND BACK
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009
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TWO CIGARETTES
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010
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PASSION PLAY
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011
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SCUSI, FFCCIAMO L'AMORE
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012
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LAY DOWN, I THINK I LOVE
YOU
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013
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VARIOUS TROUBLES
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014
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KNOWING THE 'INS' AND 'OUTS'
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015
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AFTER THE BALL
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016
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UNKNOWN TRACK (A LIDIA)
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017
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DOG UP A TREE
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018
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EXCUSE ME, LET'S MAKE LOVE
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019
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A LIDIA (FINALE)
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mus-012
"TEPEPA"--1968
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68-09-official
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Relative movie
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Note
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001
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VIVA LA REVOLUCION (TEPEPA)
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002
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TEPEPA E PRICE
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003
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TRADIMENTO PRIMO
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004
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A META' STRADA
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005
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AL MESSICO CHE VORREI (MARIA
TRAVIA)
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006
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UNA ROSA
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007
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CONSEGNA DELLE ARMI
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008
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UNA POVERA CASA
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009
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TRADIMENTO SECONDO
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010
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VIVA LA REVOLUCION (FINALE)
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mus-013
"THE
RED TENT"--1968
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71-03
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Relative movie
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Note
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001
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TEMA D'AMORE
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002
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LA TENDA ROSSA
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003
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UN AMORE COME LA NEVE
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004
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ADDIO
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mus-014
"UN
BELLISSIMO NOVERBRE"--1968
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68-22-official
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Relative movie
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Note
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001
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NUDDU (MARIA TRAVIA)
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002
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ANCORA PIU' DOLCEMENTE
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003
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BUIO MATTINO
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004
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SENSI
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005
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NUDDU
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mus-015
"ONCE
UPON A TIME IN THE WEST"--1968
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68-08-official
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Relative movie
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Note
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001
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C'Era Una Volta Il West
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002
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Come Una Sentenza
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003
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Cheyenne
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004
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L'Attentato
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005
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Armonica
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006
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Posada N. 1
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007
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Posada N. 2
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008
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Posada N. 3
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009
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Jill
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010
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L'uomo Dell' Armonica
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011
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In Una Stanza con Pica
Luce
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012
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Frank
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013
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L'Orchestraccia
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014
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Morton
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015
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L'America Di Jill
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016
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L'Uomo
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017
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Epilogo
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018
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L'Ultimo Rantolo
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019
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Assio a Sheyenne
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020
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Finale
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021
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(Unknown)
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Ennio
Morricone Mini biography: A classmate of director Sergio Leone
with whom he would form one of the great director/composer
partnerships (right up there with Eisenstein & Prokofiev,
Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone
studied at Rome's Santa Cecilia Conservatory, where he specialised
in trumpet. His first film scores were relatively undistinguished,
but he was hired by Leone for Per un pugno di dollari (1964)
on the strength of some of his song arrangements. His score
for that film, with its sparse arrangements, unorthodox instrumentation
(bells, electric guitars, harmonicas, the distinctive twang
of the jew's harp) and memorable tunes, revolutionised the
way music would be used in Westerns, and it is hard to think
of a post-Morricone Western score that doesn't in some way
reflect his influence. Although his name will always be synonymous
with the spaghetti Western, Morricone has also contributed
to a huge range of other film genres: comedies, dramas, thrillers,
horror films, romances, art movies, exploitation movies -making
him one of the film world's most versatile artists. He has
written nearly 400 film scores, so a brief summary is impossible,
but his most memorable work includes the Leone films, Gillo
Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joffé's
The Mission (1986), Brian De Palma's The Untouchables (1987)
and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus
a rare example of sung opening credits for Pier Paolo Pasolini's
Uccellacci e uccellini (1966). It must be stressed that he
is *not* behind the work of the entirely separate composers
Bruno Nicolai and Nicola Piovani despite allegations made
by more than one supposedly reputable film guide!
(see
here) |
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