Here is first personal theme site on the whole world about Morricone's music with Chinese and English Bi-language, welcome your visit and partake
English-->1900-000
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A personal special page for friends who are practicing play of "The legend of 1900"
Only provide listen in online the music with 20 Kbps. You could enter here to submit your request for higher bitrate
 
 
Since the web site was created for 3 years, Many web friends expressed theirs interested in piano music of "The legend of 1900" movie by way of E-mail, message or forum. The scores published by the web site (see here and here) has been seek by hundreds wed friends. some people tell us that they are prepareing and practiceing these scores for enjoy or personal concert. In order to exchange experience, publish work or improve each other by active discuss, we establish the special page for every web friend who need exchange. You only send some article, images, record (Audio or video) by E-mail to us( We can provide FTP server for your upload if you need),we will edit them for publish them here.
 
 
Below is a table for coming friends
 
No.
Name
From
Special page
Note
001
Oliver
Germany
002
Hanyuxing
China
003
Gary
USA
004
Fgod999
Taiwan
01£¬02
005
danony
006
Amin Miri
Iran
01, 02
007
Mark Chapa
USA
HM
Malaysia
Jerry
New Zealand
Mike
USA
 
 
Ennio Morricone Mini biography: A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialised in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for Per un pugno di dollari (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionised the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies -making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvos _Battaglia di Algeri, La (1965)_ , Roland Joff¨¦'s The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Nuovo cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's Uccellacci e uccellini (1966). It must be stressed that he is *not* behind the work of the entirely separate composers Bruno Nicolai and Nicola Piovani despite allegations made by more than one supposedly reputable film guide! (see here)
 
 
The opining date of the site is Aug.8,2003¡¡¡¡¡¡¡¡¡¡¡¡ © 2003 hwg All rights reserved
¡¡E-mail to us hwg@jlonline.com
 
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